Here's the final design for the back of the CD!And the title as you see it is the actual title!
Honest!
Here's the final design for the back of the CD!
Two posts in two days - I must be getting bored!
This is actually an illustration to a poem by Les Barker. He claims that his house has just burnt down because he bought a homing phoenix!


Well - nothing on Illustration Friday for weeks, but at last ...
Had a very productive day doing drawings and things related to Mitchell's Fold. Eyes were getting blurry
This is a bit of the stone circle itself; in fact it's the largest stone. Most of them are little fellers like the other ones you can see. There's a wonderful legend attached to the place; apparently a fairy cow used to appear here at times of famine, and she would never run dry as long as nobody took more than one pail of milk. Then a wicked old witch, Mitchell, milked the cow into a sieve and drained her dry. The cow vanished, Mitchell was turned to stone, and the other stones crowded round her to make sure her spirit was trapped, and therefore couldn't go round draining people's beer glasses, MacDonalds milk shakes etc.
On the way up to the circle I didn't meet any cows, but I did see some sheep.Here are some of them. I quite like the way sheep turn their bottoms towards you and widdle. This one obviously couldn't decide whether to do the widdling activity, or to keep an eye on this strange person who was pointing a magic lantern box in their general direction. And ended up doing both.
In fact it was a very fruitful visit. I talked to several people about what they would like to see on the interpretation board, and what was important to them about sites like this. They had strong views and were very forthcoming. Which isn't surprising, considering the actual board, which is depicted below. One of them even gave me her email address in France!
This has a certain minimalist, conceptual appeal. Tate Modern would probably exhibit it.
I think this one looks a little less cluttered than the previous one.


I started at Swindon College this week, my MA in Archaeological Illustration. I can't very well get any more hamsters to take with me, so Chris of the Raven Madness blog (see link on right), has very kindly given me a pair of gerbil earrings, with the recommendation that gerbils are more portable; that I'd get used to the wriggling, and that they'd enjoy it. This is what they look like, on.


I'm off to do some drorin tomorrow, though, and that's what I REALLY DO!


This is a character I met when I went to Warwick Castle on Saturday. I would have posted it before, but it took a long time to walk from Warwick with my worldly belongings tied up in a spotted handkerchief on a stick, slung over my shoulder. Anyway, you see the perplexed looking kids in the background? He was watching one of them make a call on a mobile phone, and was asking them what the strange instrument was, and whether it was magic that meant they could use it to talk to people a long way away ...
Then I went up the tower and ramparts. Then I remembered that I don't like Heights. Or Enclosed Spaces. Or either of the Above in the Dark. Or Uneven Spiral Staircases. And it's also a one way system to cope with the number of visitors they have there, so you can't get halfway up a staircase, change your mind and come back down again. I did manage to take this rather tipsy photo from one of the ramparts, but other than that I just escaped as soon as possible, leaving much of this august edifice unexplored.

Last year, at the end of the season, I bought a very sad looking lily from a garden centre, largely because I felt sorry for it and it was being sold off cheap. Its leaves had been nibbled by vine weevils and it was generally rather the worse for wear.
Actually, the main reason for putting this on here is so that I can send it to Gretel at Real Illustrators cos for it's her birthday!

Puflet has to stand on the window sill to reach the higher levels.
Puflet is normally quite shy about being seen in public places, but here he is, cleaning the first of the windows of Puflet Palace. Eventually, the Palace will have a gallery all its own where people can go and look at pictures.


Now, gentle readers, this may look like a landscape featuring some horse chestnut leaves in the foreground, but if you look carefully, you will see that the air (if you can call it that) is actually populated by mackerel. They live under the sea, so I thought that other people from Illustration Friday might like to see them. The original of this is an oil painting, which took ages to do. I also like to work from direct observation, which poses problems when you're working from things like fish which get smellier and smellier the longer you keep them. You can't photograph these things - you just lose all those shimmering colours. In the end I compromised by doing a very careful drawing from observation, and then painting from the drawing.
Well - spring's definitely here - it was absolutely chucking it down with rain today. But spring rain, rather than the winter stuff that creeps into your bones.
Lots of love,
P xxx
This is Sir Ian Bear, the Chief Police Commissioner (he was on the Today programme on Radio 4 this morning). As you can see, he is one of our 'boys in blue'. He is in a lot of trouble for secretly recording his own phone calls with other people.
Just to cheer everyone up on a grey day like today (strictly speaking this is inaccurate because it's actually dark at the moment), here are some of the 29,000 floating ducks who sat there still enough for me to draw them.
At the moment I'm working on a design for ATC's for the fellow members of the 29,000 Floating Ducks blog, and I thought some of you might be interested in the process. This is the start - draw out the thing in biro, and sort out the tones. Not just any old biro will do. It's got to be one of those see-through plastic bic medium jobs, or it's considerably more difficult. I'm glad that you don't need really expensive ones.
This is Herbert, who is looking very hard for her tea. Being a hamster, and not one of the brightest stars in the firmament, she doesn't realise that it's all run out of the holes in this cutlery drainer. Doesn't stop her looking, though:


Anyway, these are the paintings they selected. The exhibition is on from 15th March - 9th April, and if you're in the London area I really recommend it. It's got a very wide range of styles, from really stunning traditional work to modern stuff that wouldn't be out of place in the AOI.

... and found it wasn't a cable at all, but Mervyn's tail!
